Miyus
Soprano
September 14 19 25
October 6 20 22 27
November 28
December 13 20
January 18 24 31
February 2 4 9 12
March 6 14
February 22
March 21 28
April 25
Mai 4 24 31
Juni 7 13 28
Juli 6 11
4 Symphony Mahler
Beethoven Orchester
Juni 27 & 29
- «Luisa Miller»
Dominik Lapp
Was die Solistinnen und Solisten betrifft, brilliert das fast ausschließlich aus Gästen bestehende Ensemble durchweg. Tetiana Miyus als Luisa Miller ist der emotionale Kern der Aufführung. Ihre klare, kraftvolle Stimme füllt den Raum mit Herzschmerz und verzweifelter Liebe.
- «La Boheme»
Isabella Steppan, Backtrack
The second couple of the evening offered significantly more fire, both vocally and actively: Tetiana Miyus impressed as the capricious Musetta, especially in the second act with stage presence and glamor factor.
With the crystal clear height of her soprano and clever phrasing, she skilfully wrapped both the audience and Marcello around her finger and in the fourth act she designed a moving, heartfelt prayer before Mimì's death.
- «Le nozze di Figaro»Manfred A.Schmid, Onlinemerker
Tetiana Miyus is a true feast for the eyes and ears, both vocally and dramatically. Lively, delightful, wide awake and equipped with a fresh, graceful soprano.
In truth, it is probably she who pulls the strings in the background, and not, as usual, her bridegroom, who is skillfully manipulated by her, as in a scene where she actually pulls him with strings tied to his arms, like one Puppet controls.
- “FIDELIO” MarzellineEuropean Cultural news
- «Les Pecheurs de perles»Martin Gasser, Kleine zeitung
One hears this poetry mainly through Tetiana Miyus as Leïla, who gives this evening lyrical brilliance and suppleness: She is not one of the coloratura automatons that one has often heard in this part, she sings with imagination, inwardness and rounded coloratura. She also does not owe the dramatic outbursts in the third act; Miyus is moving in her own league this evening.
- «The Tales of Hoffmann» AntoniaIsabella Steppan, Bachtack
Tetiana Miyus sings Antonia with blooming, radiant lyricism!
Tetiana Miyus, whose Antonia was filled with warmth and radiance, but also the most delicate piano.
A dreamy, soulful Antonia embodied Tetiana Miyus, her voice reflecting the character's conflicting emotions in the timbres. Her soprano always has a lightness in its timbre, but also enough substance to effortlessly rise above the dramatic waves of sound from the pit in the finale of the act.
- «Il Cappello Di Paglia Di Firenze»Isabella Steppan, Bachtack
Tetiana Miyus as Helena shines as the patient and steadfast bride with delicate lyricism, especially in the fourth act.
As Elena, who steadfastly believes in a happy ending, Tetiana Miyus let her voice blossom both lyrically and sparkle in sparkling coloratura; She embodied the naivety of the role with engaging charm.
